Jan 22 2012 – Over the last few months at least three activists have been murdered in Mexico, and a fourth survived a serious attack. In the context of Mexico’s ongoing drug-related violence, some are being targeted for daring to campaign against criminals, others for challenging the actions of corrupt officials and state forces.

This report was produced for Time Magazine by Deborah Bonello.

Watch the video on Time’s website here.

Camera Assistant was Myles Estey - you can see his website here.

You can read the report by Human Rights Watch on their website here.

Photo: Laura Garcia and her family outside the club from where her brother Francis disappeared on March 1st 2010. The family believe Francis was taken by the Mexican military. Credit: Myles Estey.

September 9 2011 – My final piece for AFP from my trip to Guatemala. Will be watching elections this weekend….

Fifteen years after the end of a vicious civil war, Guatemala is still beset by violence, only now it is organized crime and street gangs that are driving up death tolls to wartime levels. Emergency workers called to clean up the bloody aftermath are struggling to cope.

See the video here – it’s not on the AFP YouTube channel yet.

Guatemala is to hold a presidential election in September, and the issues confronting candidates are enormous. Extreme poverty, child malnutrition and corruption continue to be huge challenges. But narco-trafficking groups and organized crime are threatening to become the country’s new bosses.

If you can’t watch the video above, watch it here on AFP’s YouTube channel.

This video was made for AFP, and you can watch it here on their YouTube Channel.

Daniel Dominguez, one of the hard-worked crime reporters on El Diario, the biggest newspaper in Ciudad Juarez, was kind enough to let me spend the day with him last week. Here’s the report I produced for AFP, which you can also see here on YouTube. The same video is also embedded below, in case of geographical restrictions on the above.

Mexico’s march for peace, led by Catholic poet Javier Sicilia, crossed over from Ciudad Juarez – the violent epicenter of the country’s drug war – into El Paso, Texas Saturday.

They were joined by hundreds of Americans in their demands for a change in strategy from both the Mexican and US governments.

This video was created for AFP.

May 8th 2011 – Thousands of protesters marched to Mexico City’s Zocalo Sunday demanding an end to the violence generated by President Felipe Calderon’s ‘war’ against drug cartels. See the video for more.

At first glance, “Los Bastardos” seems a surprising film for a Mexican director to make.

The second movie from Amat Escalante, 30, is a disturbing fictional tale about 24 hours in the lives of two undocumented Mexican day laborers in Los Angeles.

The documentary style of Escalante’s storytelling, which uses two non-actors in the main roles, lulls the viewer into a false sense of complacency that comes to a traumatic and sudden end. The long, lingering shots, taken by a stationary camera, are reminiscent of films such as “Luz Silenciosa / Silent Light” by hot Mexican film talent Carlos Reygadas, who was an associate producer on “Los Bastardos” and also provided Escalante with what he calls “moral support.”

Given the debate raging in the United States over the rights of undocumented migrants, “Los Bastardos” could be accused of playing into the hands of the anti-immigration lobby.

After a day’s hard (illegal) labor, the lead characters Jesús and Fausto break into the house of a white, middle-class woman. OK, she’s too high on crack to really care that much. But why would Escalante _ the son of an American woman and a Mexican man who illegally crossed the border into the U.S. before Escalante was born _ want to portray his undocumented paisanos as violent delinquents?

Escalante said his intention was to provoke thought, not to strengthen stereotypes. The film will be seen on both sides of the U.S. border with Mexico, and promises to challenge the two audiences.

Although anti-immigration activists may feel vindicated by the criminal nature of Jesús and Fausto, many people in the U.S. could be concerned by the way Americans in the film treat day laborers in California. Likewise, Mexican viewers might empathize with the persecution of their countrymen abroad, but bristle at the portrayal of the undocumented Mexicans as ultimately violent thugs.

“What I wanted … is that both sides could be offended, not just one,” said Escalante, who knew since he started making movies in his early 20s that he was going to one day focus on immigration.

“I didn’t want to make a movie [in which] the Mexicans had to be completely good,” he said in near perfect English during an interview in Mexico City. Escalante lived in the U.S from the age of 11 to 18. He now resides in Guanajuato, Mexico.

That none of the characters is completely good or bad is what makes the film much more cynical and complex than it first seems. The bleak social background against which the events of the film roll out paints a depressing picture of the daily lives of at least two Americans, too. The day laborers’ victim Karen (played by Nina Zavarin, a professional actress) can barely have a conversation with her teenage son, and hits the crack pipe in the evening to block out her everyday existence.

Throughout the film the viewer has a mounting sense of dread as they observe the abuse Jesús and Fausto endure from U.S. citizens. But whether their crime is a vengeful act, or one for which they’re being paid by a third party (as Karen suspects, at least from her drug-addled perspective) isn’t really the point. Perhaps the point is that everyone in the movie is a victim in some way.

“The movie is about something that stops working, and collapses, for me. I have the theory that when things are not just, or not equal, or not the way they should be naturally, they will explode and some bad things are going to happen. In the movie this is what I wanted to show,” said Escalante.

He does so very graphically, with a feature film that deserves the recognition it has received from a number of festivals including the Morelia International Film Festival (best feature film) and Cannes (Un certain regard).

Whether you love it or hate it, “Los Bastardos” promises to leave an impression that’s hard to shake.

“Los Bastardos” opened in Mexico cinemas last Friday, and is available on DVD in the United States.

– Deborah Bonello in Mexico City for the Los Angeles Times

Video by Deborah Bonello. All non-interview material courtesy of Mantarraya Productions. With thanks for the Red Tree House for hosting the filming of the interview.

The first was this column in the Guardian by George Monbiot, who came back to an issue we touched on here on MexicoReporter.com some time ago about the ‘ethics’ of using illegal drugs. Having lived in London for years, of course I knew free trade shoppers who worried about where their coffee came from but enjoyed a few lines of coke or spliffs at the weekend without thinking about where THAT was grown and harvested and what the aftereffects might have been.

Hell, for a few brief months in my mid-twenties, I was one of them.

I believe that informed adults should be allowed to inflict whatever suffering they wish – on themselves. But we are not entitled to harm other people. I know people who drink fair-trade tea and coffee, shop locally and take cocaine at parties. They are revolting hypocrites, he writes.

Every year cocaine causes some 20,000 deaths in Colombia and displaces several hundred thousand people from their homes. Children are blown up by landmines; indigenous people are enslaved; villagers are tortured and killed; rainforests are razed. You’d cause less human suffering if instead of discreetly retiring to the toilet at a media drinks party, you went into the street and mugged someone. But the counter-cultural association appears to insulate people from ethical questions. If commissioning murder, torture, slavery, civil war, corruption and deforestation is not a crime, what is?

In a world in which the production of everything from clothes to coffee has become globalized and is outsourced to every corner of the globe, why should cocaine be any different? Although the problem of the illegal drug trade is a huge one, it is based on the principals of demand and supply.

Which is why President Felipe Calderon’s war against the illegal drug traffickers here in Mexico – which has killed nearly 10,000 people since January 2007 – is so baffling, something that Monbiot doesn’t mention in his column, which only makes a reference to Colombia.

Whilst Calderon has deployed the nation’s army across the country to fight the organized crime networks and drug traffickers, he is doing very little to create job opportunities and tackle the rising levels of drug addiction in his country (see the video below), never mind the demand for narcotics coming from Mexico’s northern neighbour, which he is incapable of affecting. It would seem to be obvious to everyone but Calderon and his administration that this is not a battle that can be won through brute force alone.

Another article that really caught my eye was this one by – full disclosure – the newspaper that I spend the lion’s share of my time working for here in Mexico City, the Los Angeles Times; “Drug war on another border: Canada”, about drug-related violence in Canada.

Authorities trace the violence to the recent government crackdown on cocaine traffickers in Mexico, which has squeezed profit margins for cocaine north of the U.S. border.

The report demonstrates how the drug war in one country squeezes the prices in another, as do policies affecting production of practically any product around the world.

Just because a product is taboo in society as well as illegal, why should it be excluded from the same considerations we apply when we’re buying anything else? It’s illegality is what makes the product so valuable, but its manufacturing process and consumption so difficult to monitor and, crucially, regulate. And as along as people living in the United States and other developed countries continue to demand and buy cocaine, drug related violence in the world’s poorer countries promises to continue.

I guess someone just needs to figure out a way to stop people wanting to get high.