
This is probably the least exciting location from which I have filed a dispatch. My sofa, in my third-floor apartment, my snowball-like foot propped up on a couple of cushions as I look out onto the cloudy Mexico City panorama this morning. What happened? Well, it’s all Cafe Tacuba’s fault really. I interviewed two of [...]

This is the final in our series of extracts from David Lida’s book “First Stop in the New World,” which has just come out in paperback. The book is divided between long chapters that deal with topics of great importance in Mexico City (crime, inequality, food, sex and even shopping), and shorter chapters that provide [...]

What happened here last week was a sheer massacre.
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This week MexicoReporter.com is publishing a series of extracts from David Lida’s book “First Stop in the New World,” which has just come out in paperback. The book is divided between long chapters that deal with topics of great importance in Mexico City (crime, inequality, food, sex and even shopping), and shorter chapters that provide [...]
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La Coleccion Jumex, one of the largest private collections of contemporary art open to the public in Latin America, is planning to move from its location on the outskirts of Mexico City closer to the action in the capital’s center.

I now realize that flour tortila love is a big part of my So-Cal identity, and I’m not the only one.

Her face is oval and nut-colored, with the enormous eyes of a gazelle. Montse’s expression is serious, cautious, pensative.

This week MexicoReporter.com is publishing a series of extracts from David Lida’s book “First Stop in the New World,” which has just come out in paperback. The book is divided between long chapters that deal with topics of great importance in Mexico City (crime, inequality, food, sex and even shopping), and shorter chapters that provide [...]
“The Ten Commandments of la Vida Loca, ” received the Webby Award for best drama series during a weekend ceremony in New York.

This week MexicoReporter.com will be publishing a series of extracts from David Lida’s book “First Stop in the New World.”
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Nicaragua’s culture, arts and music scene is the focus of a new magazine launched by two American designers living in the country’s capital, Managua.

Clouds reflected in one of the lakes in Chapultepec Park early this morning.
I wanted to add more details to the dispatch I filed today for the Los Angeles Times and MexicoReporter.com on the changes at the News. There were some details that didn’t seem worth including for the LATimes readers, but I wanted to share them with you here.
Mexico’s only national English-language daily newspaper The News, based here in Mexico City, was bought by a Mexican media company and laid off dozens of staffers over the weekend.
Visits to some of Mexico City’s museums have fallen by as much as 90% since the outbreak of the H1N1 virus last month that prompted a near shutdown of numerous facilities
Controversial ad campaigns about Mexico seem to keep popping up.

Artist Shizu Saldamando was inspired by Mexico City-based writer Daniel Hernandez.

The Mexican newspaper La Jornada today takes a poke at the jungle-dwelling rebel leader in the context of a nation trying to returning to normal after a H1N1, or swine flu, outbreak.
This week saw the cinema premiere here in Mexico of a film documenting the real-life story of Aleida Gallangos Vargas, the child of political activists who disappeared during the country’s “dirty war.”
You may remember Colombian street artist Bastardilla from the piece I did on La Plaza a few months back.
Now you can see more of the mystery girl.

The installation was designed as an educational tool for military personnel who have been tasked with fighting Mexico’s narco-trafficantes and organized crime networks.
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Gabriel Orozco, the Mexican contemporary artist, has opened his first solo show in three years in Mexico City. Crowds turned up last month to the unveiling at the Kurimanzutto art gallery despite the H1N1 flu alert alarming the city at the time.
Mexican-Canadian visual artist Alec Dempster, who lives in Xalapa in the state of Veracruz, got in touch to send us some images of his that are part of a series called “Toxic Love.”

Fonda Garufa, a restaurant in the trendy Condesa neighborhood of Mexico City, is feeling the effects of the swine flu outbreak.
As the global media coverage of the swine flu outbreak continues around the world, here in Mexico City people are starting to see the light side of the situation.
I was out shooting all day in downtown Mexico City Sunday, trying to get a sense of how the swine flu outbreak is affecting local businesses.
I at least expected to see fashionable versions of the blue face masks being combined with the latest clothes labels, but it wasn’t so.
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The blood-soaked drama is about to hit U.S. TV screens, and the first episode of the first series goes out April 23 on Univision.

Camilo Lara is the sole member of the Mexican Institute of Sound, and I had the pleasure of interviewing him in his Mexico City home

It wasn’t hard to imagine what the real crucifixion of Christ might have been like if you were anywhere near the populous, working-class neighborhood of Iztapalapa in Mexico City last Friday.

“La Vida Loca” reflects a depressing and hopeless reality. The documentary follows some of the members of ”la dieciocho,” the so-called 18th Street gang in a poor San Salvador neighborhood.
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The performance wasn’t part of Mexico’s traditional Semana Santa but had a cross-border purpose.
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Cruz is a 28-year-old indigenous woman from the state of Oaxaca who is an activist for the rights of indigenous women. Cruz rebelled against the restrictions of her own community to become a college-educated accountant.
Last week, I was invited to speak at the University of Texas Pan America about MexicoReporter.com, violence against journalists, the drug war coverage and how new technologies are contributing to the journalism beast. So I went.
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Those Who Remain,’ ‘Round Trip’ scoop prizes at Guadalajara film fest.

Peter Gabriel implored President Calderon to show “real political will, muscle and budget” in investigating the hundreds of unsolved murders of young women in Ciudad Juarez.
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The homes that Mexican migrants come from are often a jumping-off point for filmmakers, but Rulfo and Hagerman chose to stay at the point of departure to see how those who remain deal with their reduced numbers.

Throw together two feisty characters from different sides of life’s tracks. It’s an old strategy but it works, as demonstrated by “Viaje Redondo”, Mexican director Gerardo Tort’s road-trip chick flick.
“El Enemigo” (The Enemy) is one of the movies competing for the Guadalajara International Film Festival’s Best Ibero-American Fiction Feature Film this year.

Guillermo del Toro’s imagination is a fascinating abyss full of the kind of monsters that inhabit both our dreams and our nightmares.